I started off with Sculpy mixed with a wire base. You can get so much detail out of Sculpy short period of time. However it is extremely fragile. Can’t tell you how many cool things I’ve lost over the years due to weak poly. I thought silicone molds was the key for a while and still lean on them now from time to time. But, If I’m making something big it’s generally 2 part epoxy. My favorite is smooth on for all epoxies and silicone products but it is kind of expensive. After making shifter knobs and using auto paint to paint them, I had a brilliant idea. Why not sculpt or model with automobile crap too. Bondo and glazing putty work great not to mention high build primer and sprayable polyurathane on bigger projects. Dry time and curing are so much faster and durable. The finish is vibrant and smoother as well. I use this in conjunction with resin 3D printing.
As far as influences go Im absolutely in love with Ed Roth’s Rat Fink character! Like Todd Mc Farlane draws Stan Lee’s Spider man I’d like to think I  spawn Rat Fink with my own twist. it’s the coolest little rat I’ve ever seen. Drawings painting prints  and sculptures of Rat Fink they call me Willard!

Is a self proclaimed genius that wield  various concoctions of resin. He is obsessed with exploiting exaggerated . expressions, caused by spastic behavior possessed by those he comes across on a day to day basis. As a caricature artist his thirst for facial  manipulation could no longer be quench by pen and paper so, he turned to poly resin. Shaping and molding  bug eye freaks  in any fashion he sees fit. Off in the shadows of a make shift lab goofballs creatures are spawn. This laboratory is the infamous

C. S. Lewis